FILMS/VIDEOS
2009-
Director,
Producer, Editor --Flower/Power, with Dr. Ed Cohen
Director,
Producer, Editor -- Waterfall (in post-production)
2008-
Director,
Producer, Editor — Visiting Lynn
2006
Director,
Producer, Editor —What Becomes a Legend (Most)? —6 min.
2004
Writer,
Director, Producer — Dreaming Backwards, interactive multimedia work
Writer,
Director, Producer —Repentance, multimedia installation
2003
Director,
Producer, Editor—For the Record, 20 min.
2003
Director,
Producer, Editor—Apricot Pie, 2 min.
1998
Director,
Producer, Editor—Canadian Cuisine, Multimedia Installation
1997
Writer,
Director, Producer, Editor—Conditional Love, 60 minutes
1995
Writer,
Director, Producer, Editor—Elemental: Being There, 7 minutes
1993
Director
- Policy Making: An Owner’s Manual- Produced by American History Workshop
1991
Writer,
Director, Producer, Editor — Behold the Promised Land, 23 minutes
1989
Director,
Producer, Editor — It Happens to the Best of Us, 23 minutes
1988
Director,
Producer, Editor — Cancer Scandal: The Politics and Politics of Failure,
60’
1986
Producer
— PeeWee’s Playhouse (CBS-TV), “Connect The Dots”, “Face Fun”
1986
Writer,
Director, Produce, Editor — Zoe’s Car, 6 minutes
1985
Co-writer,
Director, Producer, Editor—Hell, 17 minutes
1981
Director,
Producer, Editor — Split, 22 minutes. 3/4” master
1980
Director,
Producer, Performer—Sugar Daddy, 23 minutes color
1976
Director,
Co-writer, Editor—So Where’s My Prince Already? 20 minutes. 16mm color
1975
Writer,
Director—Headache, 1 minute, 16mm, Produced by National Film Board of
Canada
1974-1975
Writer,
Director, Producer, Host — Vancouver Art Gallery, 30 minute weekly
program, Channel 10 TV, Vancouver
EXHIBITIONS
2009
Standby
Exhibition, curated by Caspar Straake
2008
Performance:
Democracy in America, Park Avenue Armory, NYC
Produced
and Curated by Creative Time
Persistant
Resistance: Early Feminist Video in Vancouver,
VIVO
Media Arts Centre, Vancouver, BC (Nov. '08)
2007
Nuit
Blanche, Toronto, Curated by Jacob Korczynski forVTape
2006
Ciclo
de Cine Rosa, Bogota, Columbia
Pontificia
Universidad Javeriana, Bogota, Columbia
Monkeytown,
Brooklyn, New York
2004
Lumiere
Theatre, London, Eng., “Experiments in Moving Image”
(Nov
03-Feb. 2004)
The
RISD Museum. Providence, RI, “GLORIA: ANOTHER LOOK AT FEMINIST ART OF THE
1970s”
THE
WEDDING PROJECT, 65 Hope Street Gallery, Brooklyn, NY
Curated by Jennifer S. Musawwir & Melissa
Potter, September 11-November 7
2003
Museum
of Modern Art, NY, NY –“Standby Retrospective”
Oct.
9-1
Argos
Festival, "Nations, Pollinations and Dislocations: Changing Imaginary
Borders in the Americas”, Brussels, Belgium, curated by Elena Feder
(Conditional Love (See Under: Nationalism-Canada))
Walter
Phillips Gallery, The Banff Centre, "A Very Serious Video Program...
Seriously"
curated
by Milena Placentile, (Hell) June 9 - June 23
River
Run Farm, “Drift”, Bedminster, NJ, curated by Eileen Torpey, May
2002
Theatre
Passe Muraille, Toronto, Canada
“16
Days of Activism”, Center for Women’s Global Leadership, Rutgers, New
Brunswick, NJ, Dec. 2
2001
Ontario
College of Art & Design, Toronto, Canada. (Behold The Promised Land)
Simon
Fraser University, Vancouver, Canada. (Conditional Love -See Under: Nationalism-Canada),
July
2000
Museum
of Modern Art, “Open Ends, Video Time,” NY, NY (Sugar Daddy)
Computer
Arts Festival, Maribor, Slovenia, presentation of works
Simon
Fraser University, Vancouver, Canada, (Conditional Love)
Ontario
College of Art and Design, Toronto, (Sugar Daddy, Behold the Promised Land)
Rendevous
du Cinema Quebecois, Montreal, (Sugar Daddy, Behold...)
Institute
for Research on Women, Rutgers University, New Brunswick, NJ (Cond’l Love)
1999
Villa
Serbelloni (Rockefeller Foundation), Bellagio, Italy, “Modernity and Religion”,
(Hell)
Villa
Serbelloni (Rockefeller Foundation), Bellagio, (Behold, Conditional Love, Sugar Daddy, Split)
OVNI Mostra (Festival de Video Independent),
Centre de Cultura Contemporanea de Barcelona, and Santa Cruz de Tenerife,
Canary Islands, Spain
(Split,
It Happens to the Best of Us, Behold the Promised Land)
Rendezvous
du Cinema Quebecois, Montreal,
Ontario
College of Art, Toronto
Saratoga
Springs Public Library, “Video on Video”, Saratoga Springs, NY
World
Fellowship Center, New Hampshire, (Behold… and Conditional Love)
1998
Canadian
Cuisine. Solo Exhibition– Muttart Public Art Gallery, Calgary, Canada
Museum
of Modern Art, “A View from the Vaults: Recent Video Acquisitions”, New York,
NY, (Split)
Centre
Georges Pompidou, Paris, Christine Van Assche, Curator (Behold the Promised
Land)
IVAM
Centre, Valencia, Spain (Behold
the Promised Land)
Norman
Mackenzie Gallery, Regina, Saskatchewan (Conditional Love)
Zone
Festival, Maidstone, England, (Conditional Love)
Apex
Art Gallery, “Not For Sale: Feminism and Art in the USA”. Clips from Sugar
Daddy, So Where’s My Prince Already? video exhibition curated/produced by Laura Cottingham, NY, NY
Rhode
Island International Film Festival (Conditional Love)
Rutgers
Media Theory Group, New Brunswick, NJ, (Conditional Love)
Barcelona
Festival of Independent Video, Spain, (Conditional Love)
Festival
of Nations, Austria, (Conditional
Love),
Northampton
Film Festival, MA (Conditional Love)
1997
Museum
of Modern Art, Premiere, New York, (Conditional Love)
Art
Gallery of North York, “New York-North York: Canadian Artists in the Big
Apple,” North York, Ontario, Canada, (Behold the Promised Land &
Conditional Love)
Brooklyn
Museum of Art, “Current Undercurrent: Working in Brooklyn”, Brooklyn, NY, (Behold the Promised Land)
School
of Visual Arts, NY, NY (Behold…)
1996
Black
Maria Film and Video Festival – Juror’s Citation Award, travels,
(Elemental: Being There)
Donnell
Library Center, New York, NY, (Elemental: Being There)
Hilus
Contemporary Art Centre, Vienna, Austria, “Bad Grrrls”(Sugar Daddy &
Split)
University
of Colorado at Boulder & the Rocky Mountain Film Center,
“Image-Innovation-Presentation: The State of the Art,” Boulder, Colorado,
(Elemental: Being There)
“Alem
de Agua: Copiacabana” traveling exhibition, New York, Spain, Portugal ‘96-99
School
of Visual Arts, New York (Behold...)
Ontario
College of Art and Design (Behold...)
Mason
Gross School of the Arts Gallery, New Brunswick, NJ, “A Spoon Full of Sugar”
(Headache, …Prince)
1995
Castle
Gallery College of New Rochelle, “The Message is the Medium: Issues of
Representation in Modern Technologies,” New Rochelle, NY (Hell)
1994
Carpe
Diem Gallery, “Looking at White Folks”, Rochester, NY, (Behold…)
Kent
Institute of Art and Design, Kent, England
Mackenzie
Art Gallery, Regina, Canada
Walter
Phillips Gallery, Banff, Canada
Visual
Studies Workshop, Rochester, NY
London
Filmmakers Coop, London, Retrospective Exhibition “Women on the Verge of
Technology” , (Headache, Prince, Sugar Daddy, Split, It Happens, Hell, Zoe’s
Car, Behold the Promised Land)
Rhode
Island School of Art (Behold..), (It Happens..)
1993
La
Biennale de Venezia, Xenografia, Video Installation, Venice, Italy
Centre
Georges Pompidou, Paris, France, “Salle Garance: Des Videos du Canada”
(Behold...)
Institut
Valencia d’Art Modern, Valencia, Spain, “Desmontaje: Film, Video/ Apropiacion, Reciclaje,” (Behold...)
Museo
Nacional Centro de Arte Reina Sofia, Madrid, “Desmontaje... “
Arteleku,
San Sebastian, “Desmontaje...” (Behold)
Kijkhuis
World Wide Video Festival, “Desmontaje..,” De Hague, The Netherlands,
(Behold...)
curated
by Nancy Spero
The
Kitchen, NY, NY, “Collective Dreams on the Edge of Night”
Ontario
College of Art, Toronto, Canada, (Behold...)
One-person
show: Crandall Public Library, “Women Direct Videos”, Glens Falls, NY (So
Where’s My Prince Already?, Split,
It Happens, Behold...)
Stedman
Gallery at Rutgers University, Camden, NJ (Good Stories, Zoe’s Car)
Josh
Baer Gallery, NY, NY, “Based on a True Story”, curator: Carter Kustera
The
Kitchen, NY, NY, “Standby-10 Years” (Hell)
Centro
Gallego do Artes de la Imagen, La Coruna, “Desmontaje,” (Behold…)
16th
Atlanta Film and Video Festival, 2nd prize, documentary category (It Happens…)
W.O.W.
5th Annual Women’s Film Fest., NY, NY (Behold The Promised Land)
Dallas
Video Festival, Dallas, TX (Behold
the Promised Land)
Pyramid
Arts Centre, Rochester, NY (Behold the Promised Land)
Satellite
Video Exchange Society, Vancouver (It Happens…)
Sala
Rilkelde, Bilbao,Spain “Talking About Being Young” ((It Happens…
1992
Museum
of Modern Art, NY, NY, “Two Decades”, NYC
Sally
Hawkins Gallery, NY, NY, “Ballots or Bullets”, curator: G. Roger Denson
Long
Beach Museum of Art, Long Beach, CA, “Virgin Territories”
Musee
d’Art Contemporain, “Nation”, Montreal, Canada (Alliance Independent Film,
Video Showcase)
Long
Beach Museum of Art, “Good Stories, Well Told”, curator: Robin White,
Mendel
Art Gallery, “Good Stories, Well Told”, Saskatoon, Canada
Southern
Alberta Art Gallery, Lethbridge, Canada (Behold...)
Children’s
Museum of Manhattan, NY, NY, “Good Stories, Well Told”
Vancouver
Art Gallery, Vancouver, Canada, “Good Stories, Well Told”
Owen
Electric Pictures, NYC “Good Stories, Well Told”
Southern
Alberta Art Gallery (Behold the
Promised Land)
NAME
Gallery, Chicago, IL (Split, It
Happens to the Best of Us)
York
University, Toronto, Canada (It
Happens to the best of Us)
1991
Simon
Watson Gallery, NY, NY, “The Family Romance”, curated by Bob Beck
Franklin
Furnace, NY, NY, “Burning in Hell”, curated by Nancy Spero
FAAST
Media, Dartmund, Germany (Hell)
W.O.W.
Festival of Women’s Films, NYC, (Split, It Happens....)
1990
Dallas
Video Festival (It Happens…)
Brooklyn
Museum of Art, NY, “What’s New on TV? Art for Younger Audiences”,
Brooklyn
Museum of Art, NY, “From this Side of the Bridge”
Three
Rivers Art Festival, Pittsburgh, PA
1989
National
Gallery of Canada, “Rebel Girls”, curated by Su Ditta
Festival
de Films et Video de Femmes, Montreal, Canada
1988
Biannual
International (Video Festival), Medellin, Colombia
Women’s
Film Festival, San Francisco, CA
Op.
Cit., Brussels, Belgium, (Hell).
Asahi
Shimbun Gallery, Tokyo, Japan, curated by Barbara London (Hell)
American
Center, Paris, France “Selection Canada,” curated by Andree Duchaine, (Hell)
Politecnico
di Milano, Italy (Hell)
Galleri
F 15,”Kunst Video,” Moss, Norway (Hell).
Artspace,
Auckland, N.Z. (Hell).
Australian
Centre for Contemporary Art, Melbourne, Australia (Hell).
Wellington
City Art Gallery, Wellington, N.Z. (Hell)
Experimental
Art Foundation, Adelaide (Hell)
Centre
for the Arts, Hobart, Australia (Hell)
Australian
Centre for Photography, Sydney, Australia (Hell)
1987
Hirschorn
Museum, Washington DC (Zoe’s Car)
The
Kitchen, Techno Bop ‘87, NY, NY (Zoe’s Car)
Metropolitan
Museum of Art, NY, NY, “Film Video Exposition”, (Zoe’s Car)
The
Museum of Modern Art, NY, NY, “Selections from the Video Study Collection:
1968—87”
National
Gallery of Canada, Ottawa, Canada, “A Survey of Canadian Feminist Video Tapes”.
(Sugar Daddy)
6th
Annual Daniel Wadsworth Memorial Festival, Hartford, CN (Zoe’s Car)
Infermental
VI, curated by Hank Bull and Vera Body (worldwide traveling festival:
Berlin
Festival, Hong Kong Film Festival, Osnabruck Film Festival, Melbourne Film
Festival, Moscow Film Festival, Tokyo Video Festival, L.A.C.E., Los Angeles;
Centre for Art Tapes, Halifax; EM Media, Calgary; Open
Space,
Victoria; SAW Gallery, Ottawa; A Space, Toronto, PRIM, Montreal; Video Pool
Winnipeg.)
Video
Roma, Rome, Italy, Installation (Sugar Daddy)
Le
Cinema Parallel, Montreal (Split, It Happens, Hell)
Center
for the Arts, Wesleyan University, CT.
Goethe
House, Montreal (Sugar Daddy)
Rochester
Institute of Technology, Rochester, NY (Split)
Pacific
Film Archive, “Degrees of Facts: Degrees of Fiction”, San Francisco, CA (Split)
Savannah
College of Art and Design, Savannah, GA (Hell)
Mary
Porter Sesnon Micro Gallery, “Video Discourse: Mediated Narratives”, University of California, Santa Cruz,
curator: Chip Lord
Vancouver
Art Gallery, “Fiction of Science” (Hell)
1986
Three
Rivers Arts Festival, Pittsburgh, PA (Hell)
Anthology
Film Archives, NY (Hell)
1985
Museum
of Modern Art, NY, NY, “Video: Recent Acquisitions”, curator: Barbara London
Artists
Space, New York, “What Does She Want?” (Split)
Video
Inn, Vancouver, Canada, “Phosphorous Diode”, Curated by Karen Henry
1983
Museum
of Modern Art, NY, NY, “New Narrative” (Split)
1982
Biennale
Barcelona, Barcelona, Spain
San
Paulo Biennale, Brazil
Locarno
Internat’l Festival of Video, Locarno, Switzerland
Kunsthalle,
Berlin, Germany
Biennale,
Columbia
Australian
Video Festival
Creative
Arts Public Service (CAPS) Video Festival at Pier 11, New York, NY
Moscow
(Infermental) traveling video exhibition
1976
International
Festival of Women’s Films, New York City (So Where’s My Prince Already?)
National
Film Board of Canada (Vancouver)
BROADCASTS
CBS-TV
Pee Wee’s Playhouse (Producer, Connect the Dots, Face Fun)
Public
Broadcasting System (WNET-NY)
Public
Broadcasting System (KQED San Francisco)
Smart
Project’s Space broadcast, Amsterdam
New
Jersey Network (NJN) State of the Arts
New
England Cable Systems MA, ME, VT, RI
Cage
TV Cincinnati
Channel
25-New York
Free
Speech TV, Boulder, CO
TV
Ontario, Toronto, Canada
Museum of Modern Art, New York
National Gallery of Canada, Ottawa
University of Toronto, Canada
Washington Project for the Arts, Washington D.C.
Stedelijk Museum, Amsterdam
University of Regina, Canada
Walter Phillips Gallery, Banff, Canada
Bard College, Annendale, NY
Forty Ninth Parallel Gallery, New York
Museum of Modern Art, New York
University of Toronto, Ontario
National Gallery of Canada, Ottawa
Donnell Media Center, New York Public Library, New York
Ydessa Foundation, Toronto, Canada
SAW Gallery, Ottawa, Canada
Academie der Kunst, Berlin
Crandall Public Library, Glens Falls, New York
Simon Fraser University
University of Toronto
Bard College, Annendale, NY
Observatory Archives, OVNI, Barcelona, Spain
Museum of Modern Art, New York
Donnell Media Center, New York Public Library, New York
La Jolla Museum of Contemporary Art, California
Academie der Kunst, Berlin, Germany
Queen’s University, Canada
Neuer Berliner Kunstverein, Berlin
Concordia University, Montreal
235 Media (Europe)
Crandall Public Library, Glens Falls, New York
Ydessa Foundation, Toronto, Canada
Donnell Media Center, New York Public Library, New York
National Gallery of Canada
Observatory Archives, OVNI, Barcelona, Spain
Ecole National Superieure des Beaux Arts, Paris
Institute Valencia d’Art Modern, Valencia (IVAM) Spain
Centre Georges Pompidou, Paris, France
New Langton Arts, San Francisco, California
CAL Arts Library, Newhall, California
Columbia College, Chicago
University of Arizona Library
Ontario College of Art and Design
Carthage College, Kenosha, WI
University of Regina, Canada
Simon Fraser University, Vancouver, Canada
Rutgers University Library, New Jersey
GRANTS/
FELLOWSHIPS
2000-01
Fellow,
Institute for Research on Women, Rutgers University, “Advocacy:
Decisions,
Data, Discourse”
2000
Canada
Council, Travel Grant, to participate in conference, “National Pollinations”,
Vancouver
1999-2000
Trust
for Mutual Understanding (Soros Foundation), Grant for travel to Eastern Europe
for Dreaming Backwards
1999
Rockefeller
Foundation Residency, Bellagio, Italy
Canada
Council, Travel Grant, to present work and participate in international
conference “Nations, Pollinations
and Dislocations: Changing Imaginary Borders in the Americas”
1997
Wexner
Center for the Arts, Residency in Art and Technology Post-Production facility
for editing “Conditional Love”
1995
ArtsLink
(Soros Foundation) Collaborative Grant for a new work, “Dreaming Backwards,” to
work with a Romanian Filmmaker in Romania, the Ukraine and Poland
1994
Canada
Council, Video Production Grant
1993
Canada
Council, Short Term Grant
1991
Canada
Council, Video Production grant
1989
Canada
Council, Video Production Grant
Media
Alliance Marketing Assistance Grant
1988
Canada
Council, Video Production Grant
1986
Canada
Council Arts Grant “B”
1985
New
York State Council on the Arts, “Between Heaven and Hell.”
National
Endowment for the Arts
New
York Foundation for the Arts.
Canada
Council, Arts Grant
1984
Canada
Council, Project Cost Grant “Hell.”
1983
New
York State Council on the Arts
1982
Canada
Council, Arts Grant “B”.
Creative
Artists Public Service Grant (CAPS).
1981
Canada
Council Video Production Grant “Split.”
1980
Canada
Council, Project Cost Grant.
Canada
Council, Visual Arts Grant, Video Program
1979
Canada
Council, Visual Arts Grant, Video Program.
Canada
Council, Film, Short Term Grant (Script development).
1978
Canada
Council, Short Term Grant.
1977
Canada
Council, Arts Awards.
1976
Canada
Council, Arts Grant “B”, Writing on Art and Patronage, U.S. and Canada for
publication in Criteria.
BIBLIOGRAPHY
(selected)
2005
“Happy Anniversary AIVF: A look back at
25 years of achievements in advocacy & other good deeds for independents”,
The Independent, Foundation for Independent Video and Film, NY, November
2004
Jacqueline
Egosi, “Mainstream Mysticism”, Jewish Woman, Spring ’04, pp. 24-29, www.jwmag.org
2000
Gottlieb,
Phyllis, “True Stories well told”,
Rutgers Focus, February 18, http://ur.rutgers.edu/focus
1999
Allen
Frame, “Ardele Lister: Conditional Love,” Bomb (Winter 1999)
Ross,
Christine, “Thinking Nation and Hybrid Belongings: The Aesthetics of
Negotiation in Recent Media Art”, Revue d’art Canadienne/Canadian Art Review
(RACAR) XXIV:1, 1997; pub. 1999, pp. 42-51.
http://www.collections.ic.gc.ca/waic/dissertation/chross.html
1998
Friesen,
Tami, “Video Artist”, Visual Arts
Section, Fast Forward Weekly Magazine, Calgary July http://www.ffwdweekly.com/Issues/1998/0702/art.html
Catalogue,
Calgary Art Gallery, Canadian Cuisine, essay by Curator, Kathryn Burns
1997
“Leslie
Tonkonow Interviews Ardele Lister,” in Collapse #3: Home Improvements:
Institutions and Other Perversions (December)
“A
Brief Conversation Between Ardele Lister and Pat McCoy,” in Felix, vol. 1, no.
3
Michael
Posner, “Art-world snowbirds nest in New York,” The Globe and Mail, Toronto
11/29/97
Time
Capsule, a Concise Encyclopedia of Women Artists, edited by Robin Kahn,
published by Creative Time, pages 616-17
1995
Baert,
Renee “Skirting the Issue” Screen Magazine, England
1994
Elizabeth
Peters, “The Independent’s History”, The Independent, (25 Anniversary Issue)
1993
Marks,
Laura, “Packaged for Export, Contents Under Pressure,” FUSE Magazine, Fall,
Vol. XVII, No 1, pp. 12-23.
Bonet,
Eugeni, “Desmontaje: Film,
Video/Apropriacion, Reciclaje”, catalogue essay, pp. 9-37.
Levin,
Kim, “Voice Choices” re: “Songs of Retribution”, Richard Anderson Gallery, The
Village Voice, February 9, p. 67
Petty,
Sheila, “Inventions of a Nation,” Catalogue, Mackenzie Art Center, Regina, Sask,
March.
1992
Gilas,
Basia, “Daughter’s Daddy’s Desire,” Status of Women Issue #6, Concordia
University, Montreal, November, pp. 9-11
Gelmis,
Joseph, “Women’s Views and Images,” New York Newsday, 3/25, p. 49
Taubin,
Amy, “Voice Choices,” The Village Voice, re: WOW Cafe Film Festival, March 31,
p. 76
Kilwans,
Stuart, “Short Takes,” The Nation, March 30, p 428
Marks,
Laura, “Images and Identities; Film and Video in Canada,” Afterimage,
Rochester, NY, September, p. 5-6
Steele,
Lisa, “Shake It Up, Baby: Works of
Intervention by Ardele Lister “ catalogue for Retrospective Exhibition at
Images ‘92 Festival, Toronto pp.
27-40
1991
Ferguson,
Bruce, “Left Beholding the Promised Land: Ardele Lister in America,” Catalogue, Walter Phillips Gallery, Banff,
Canada.
Rusted,
Brian, “Four Visions of Artists’ Television,” (catalogue essay), Walter
Phillips Gallery, Banff, Canada.
1990
Village
Voice, October 2, “Voice Choice.”
High
Performance, Summer Issue.
WRITING
& INTERVIEWS
2003
Interview
with Sandi Dubowski, Heeb Magazine, Vol.1, No. 1.
2000
“Possibly
pertinent paradigms (in making unpopular culture)”, THE BODY CAUGHT IN THE
INTESTINES OF THE COMPUTER AND BEYOND: Women’s Strategies in Media, Art and
Theory, Edited by Marina Grzinic (Ljubljana) in collaboration with Adele
Eisenstein, (Budapest/New York/Cologne), Festival of Computer Arts 2000 at MKC,
Ljubljanska 4
1997
“Ars
Electronica,” in Afterimage, vol. 24, no. 4 (Jan./Feb. 1997)
1995
“Contact
Zones’ Video,” in Photography Quarterly #65: The Cultured Tourist (The Center
for Photography at Woodstock, Woodstock, NY, 1995)
1993
Rotation
I: Persistence of Vision,” N.A.P. TEXT, Vol. 1, No. 1, Fall, pp 3-4.
“A
Brief Conversation between Ardele Lister and Pat McCoy,”
Felix:
A Journal of Media Arts and Communication, Vol. 1, No. 3,
Fall,
pp. 79-82.
1991
“From
Receiver to Remote Control: The Set,” Felix: A Journal of Media Arts and Communication, Vol. 1, No. 1
Spring 1991, pp. 69-70.
1979
“Everybody
Wants to Be the Girl,” Performance by Artists, ed. p. Gale, Art Metropole, Toronto,
pp. 237-249 (written with Bill
Jones)
“Sexism
in the Media: Another Round for Old Times’ Sake,” The Independent, published by
the Foundation for Independent Video and Film, New York, April, page 9.
1978
“Edge/Junction:
Words in Art,” Criteria, Vancouver, Vol. 4, No. 1, pp. 22-23.
1977
“Hewing
the Wood and Drawing the Water: Women and Film in a Colonized Canada”, Heresies, New York, May, pp. 103-105.
1976
“Women
Artists Now,” Television script for 30 min. program Canadian Broadcasting
Corp., Provincial Educational Media Centre, Co- Production, Vancouver
“Should
a Small to Tiny Minority of People Impose Their Seemingly Elitist Demands for
Culture...?,” Cinema Canada, Toronto, No. 27, April, p. 44
1975
“With
Words,” Criteria, Vancouver, Vol. 1 No. 4, p. 10
1974
Art
Critic, The Province (daily), Vancouver, Canada
FESTIVAL
PRIZES | AWARDS
1998
Best
Documentary, Rhode Island International Film Festival, (Conditional Love)
1997
Juror’s
Citation Award, Black Maria Film and Video Festival, (Elemental: Being There)
1992
Honorable
Mention/Best Documentary, 6th Atlanta Film and Video Festival,
(It
Happens..)
1990
Three
Rivers Arts Festival, Pittsburgh, PA
1987
First
Prize, Video Art, Daniel Wadsworth Memorial Film Video Festival, (Zoe’s Car)
1985
Special
Merit Award, 8th Tokyo Video Festival, (Hell)
9th
Atlanta Film and Video Festival
1982
U.S.
Film and Video Festival, (Split)
Utah
Video Festival, (Split)
1981
Selected
Work, JVC Tokyo Video Festival, (Split)
1982
Atlanta
Film and Video Festival, (Split)
PANELS
| JURIES | PRESENTATIONS
2008
National
Ponsi Review Committee, New York, for NY Film Academy accreditation in New York
State
2005
New
Jersey College English Association Conference
“Approaches
to Dante” panel, Seton Hall University
Visiting
Artist Presentation, MGSA, Rutgers University
2004
Visiting
Artist, McMaster University, Hamilton, Canada (Film and Theatre Dept.)
Juror,
National Foundation for Jewish Culture Documentary Fund
Moderator,
Video Maker Forum panel, “Media Art in the Time of War”
with
Paul Chan, Jacqueline Goss, Branda Miller, and Andrew Lynn
The
d.u.m.b.o. Short Film and Video Festival, Brooklyn, NY
Artist’s
Presentation: Park Slope Jewish Center, Brooklyn, NY
2001
Respondent,
The Humanities Gender Group “Shulie”, Rutgers University, sponsored by the
Women’s Studies Dept., Dept. of English, Dept. of History at R.U.
2000
Presentation:
Symposium: “The Body Caught in the Intestines of the Computer”
International
Festival of Computer Arts, Maribor, Slovenia
Juror,
Manitoba Arts Council, Film and Video Awards Jury
1999
Nations,
Pollinations and Dislocations: Changing Imaginary Borders in the
Americas”,
Emily Carr College of Art, Vancouve
1998
New
Media and the Book, NYC- MIT panel with Dr. Glorianna Davenport (MIT,
Media
Lab); Dr. Idit Harel (MaMaMedia)
DISTRIBUTORS
VTape,
Toronto, Canada www.vtape.org
Groupe
Intervention Video, Montreal, Canada www.givideo.org
Video
Out, Vancouver, Canada
EMPLOYMENT
2008-present Graduate
Director, Visual Arts Department, Rutgers University, Mason Gross
School of the Arts (MGSA)
2006-
2008 Undergraduate
Director, Visual Arts Dept., Rutgers University, MGSA
1996-
present Associate
Professor, Media Area Head, Visual Arts Dept. Rutgers University, MGSA
1991-1996 Assistant
Professor, Media Area Head, Visual Arts Dept. Rutgers University,
MGSA
1989-1992 Instructor,
School of Visual Arts, NY, Film and Video Dept.
1985-1987 Instructor,
Center for Media Arts, NYC- Graphic Design Prog.
1982-1984 Instructor,
Montclair University, Media/Art Dept.
1976 Instructor,
Emily Carr College of Art
1973-75 Teaching
Assistant, Univ. of British Columbia, Fine Arts. Dept., Canada
